Blacksad: Under the Skin

Blacksad: Under the Skin - private detective John Blacksad takes on the case of a missing girl, and the city responds with rain, debts and old grievances. The atmosphere of the USA of the sixties is presented through signs, cars and music. The investigation is conducted through conversations and inspection: the object must be selected, the trace examined, and the remark chosen so that the interlocutor will start talking. Some scenes require reaction, some require patience. The story proceeds in chapters, and the choice of lines affects the ending. The design is drawn close to the source comic. The investigation is ongoing. Items must be selected. The lines influence the ending. Chapters are divided by plot. The design is close to the comic book. Scenes require a reaction. The fights are simple, but the choices are not. It rains almost constantly. The characters talk about debts. The evidence is compiled into a dossier. The city is divided into districts. Jazz music. The characters talk about debts. The evidence is compiled into a dossier. The city is divided into districts. Jazz music. The lines influence the ending. The fights are simple, but the decisions require a head. Scenes require a reaction. Items must be selected. Replicas are selected on time. The saxophone sounds in bars. Neighborhoods vary in wealth. The dossier grows chapter by chapter. Evidence is taken with the cursor. Replies influence relationships. Scenes go chapter by chapter. The city is drawn in watercolors. The crimes are interconnected. Characters argue about business. Evidence is checked against the list. The chapters are long. The evidence is inconsistent with the facts. The phone rings at the wrong time. For those who like detective stories with dialogues, this option is suitable.